Hip-hop producer, songwriter, performer. Twenty-one years sober. Three decades of records in the catalog. The "All In" / "Can't Let Go" visual album cycle in production.
The catalog spans three decades of Tulsa hip-hop. The current cycle is a visual album — track + video + lived footage — anchored by "All In" and "Can't Let Go."
Vintage-film intro into the cycle. The "all in" declaration — twenty years sober and back in the booth without backup. Lead track of the current visual album.
Mausoleum footage concept. About the things you can't release — and the way that holding on either kills you or makes you the keeper. Sister track to "All In."
Four prior albums and EPs spanning the catalog. Streaming-platform consolidation in progress. Full track-list coming when the platform rollout is ready.
Visual support material for the current album cycle. AI-synced choreography research integrated. Released alongside the track drops.
The production setup is conventional studio tooling (Pro Tools, Shure MV7+ on vocals, Sabrent 10-port hub for peripheral expansion) combined with new-generation AI tooling for video and choreography — Suno for ideation, Kling for video render, custom choreography sync.
Pro Tools sessions. Shure MV7+ on lead vocals. Stems exported for mix elsewhere when needed. The workflow is deliberate — no shortcuts on the recording itself.
Multi-cam OBS setup (ZV-E10 + Lumix S5 II via Cam Link). Joplin brick-pillar shoot prep. Mausoleum-footage concept. The visual layer is part of the record, not separate from it.
Suno v5.5 for ideation (with full TOS awareness on rights). Kling for video render. Custom AI-synced choreography research. The tools serve the song — never the other way around.
I've been making records for three decades. Twenty-one years of those have been sober. The catalog holds 200+ songs and four prior releases. What's coming next is the "All In" / "Can't Let Go" visual album cycle — built around mausoleum footage, vintage-film intros, and a Tulsa context that's not background but actual subject matter.
The day job is District Asset Protection Manager at Burlington — 11 stores, $90M+ combined volume, 17+ years of operations leadership across Amazon, Dollar General, Macy's, Target, and Burlington. The night job is the records.
The records and the day job belong to the same person. The discipline that runs an 11-store district is the same discipline that finishes a track. Showing up. Documenting. Iterating. Not quitting on the days you want to.
Streaming platform links land here as the visual cycle releases. For booking, features, production work, or just to send a track recommendation — email is the fastest way.
Click an assistant to ask it about Benzo — the catalog, the production workflow, the visual album cycle, and the producer. The query is preloaded.